DETAILED NOTES ON CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They will often be craving romantics, using this big difference: Buster looks a plausible mate, along with the Tramp hardly seems to have a libido, only idealized notions. If their comedies had been designed in a more liberated time, it is achievable to imagine Keaton in mattress with a woman, but disquieting to consider the Tramp as being a sexual